Star Trek Lower Decks (LOW) Season 2 Guest Reviews

Season 1Season 2

Strange EnergiesWe'll Always Have Tom Paris


Strange Energies


Stardate not given: The USS Cerritos is orbiting the planet Apergos, completing the last details of "second contact mission" between the inhabitants and the Federation. Hoping to clean soot off several of the ancient buildings in the Apergosian capital, Ensign Mariner inadvertently activates an ancient artifact powered by "strange energy." When Commander Ransom is struck by a discharge of the strange energy, he begins to possess godlike powers, which threatens both the Apergosians and the Cerritos. Fortunately, Doctor T'Ana is able to stop Ransom using the same procedure employed by Captain Kirk when his helmsman Gary Mitchell was exposed to strange energy at the galactic barrier.


Did Spock's resurrection in "Star Trek III: The Search for Spock" cheapen his sacrifice in "Star Trek II: The Wrath of Khan?" Although Spock was my favorite character in the original series and I wanted him back, I nevertheless think it did. At the end of Lower Decks' first season, I gave the finale a "10" for unexpectedly blowing up its own formula. Boimler was promoted and transferred off the ship to serve on Riker's USS Titan. Ensigns Tendi and Rutherford's season-long flirtation was upended when he lost his cybernetic implant and his memory of their relationship. And finally, the season-long feud between Ensign Mariner and her mother, Captain Freeman, ended with both resolved to act together as a mother-daughter team.

However, within the course of a single episode, Lower Decks fully resets Tendi, Rutherford, and Mariner back to their first season formulas, leaving only Boimler's advances intact. Apparently, the writers were not up to the challenge they set for themselves and decided to immediately flee back to safety. Lower Decks is a face-paced series, but the speed of the reset is jarring and abrupt.

Mariner and Captain Freeman explain that their mother-daughter team hasn't worked out through lengthy exposition. It's a bit amazing that this makes one of the most visually exciting sequences in all of Star Trek -- Mariner's escape from a (holographically generated) Cardassian prison asteroid -- rather duller than it should be. Likewise, Tendi's concern that she's losing Rutherford escalates far too rapidly from cute to preposterous madness. Both resets would have worked better, had the writers given the characters the chance to experience the dissonance of the altered relationships. Let Rutherford have a date and even a relationship that goes wrong before he returns to Tendi. Why not see how the mother-daughter team doesn't work at least once prior to tanking it in exposition?

The A-plot centers on Commander Ransom receiving god-like powers. Like Commander Riker when tempted by Q (TNG: "Hide and Q") or Lt. Cmdr. Gary Mitchell when exposed to strange energy (TOS: "Where No Man Has Gone Before"), he is not up to the challenge. His inflated ego causes him to recreate the planet into a society of shallow worshipers while he attacks the Cerritos in a way reminiscent of Apollo (TOS: "Who Mourns for Adonais?"). Once again, the story seems too abrupt, but it's rather fun that the whole incident is par for the course for Doctor T'Ana, who treats Ransom's condition as if it were Starfleet routine.

All in all, "Strange Energies" was a bit of a mixed outing. Hopefully, having pushed through these resets, Lower Decks has now cleared the decks to recover its pacing for the second season.


Rating: 6 (John Hamer)


We'll Always Have Tom Paris


Stardate 58018.7: Tendi is given a secret mission by Dr. T'Ana. Desperate to please, she enlists Mariner's help. Meanwhile, the Cerritos is visited by Lt. Tom Paris, and Boimler attempts to get a commemorative plate signed. Rutherford is haunted by the mystery of how, exactly, a bridge officer has seemingly returned from the dead.


By all inductions, a Starfleet vessel is an absolutely insane place to live and work, with the impossible and unknown confronted weekly with bold intent. For the denizens of the lower decks, they are walking into this surreal world with both eyes open, excited to do the work, and excited to be here. Bringing those two elements together lets LOW embrace the goofiness of the TNG and TOS era without having the cast be endlessly put-upon, and that motivation really elevates this whole thing beyond the baseline "space is wacky" comedic premise.

This makes the more reference-heavy outings a bit of a chore, as the show takes a big step away from this confident vision to remind us of a bunch of stuff other Trek shows did. "We'll Always Have Tom Paris" flips between both sides of the LOW coin, unfortunately, giving us three completely separate "A", "B", and "C" stories, two of which lean hard into reference humor abyss. This leaves just one story thread to shoulder the ep, and boy howdy, it really does fireman-carry this one to the finish line.

The A-story involves Tendi being entrusted with a secret mission by an increasingly feral Dr. T'Ana. Ever-desperate to please, she accepts help from Mariner in a pairup we haven't seen before. These two have not really ever talked to each other without one of the other characters being around, and the show has a lot of fun exploiting this for comedy. I'd say this bit of business is the highlight of the episode, as it let Mariner's flaws come to the surface and off-put the ever-bubbly Tendi, making her flaws bubble to the surface in turn, letting the two get real with each other. This leads them to a trip to an Orion Tortuga, where we get an extremely fun look at one the Trek's TOS-style "bad guy races", which LOW plays completely straight. Tendi is essentially mortified by her cartoonish crime family here, a group that reinforces every negative stereotype a Federation-type like Mariner has about Orions. She has to take on a dominant role of a matriarch-type to meet the expectations of her culture, and the absolute embarrassment she feels at putting on a display like this in front of her enlightened Federation friends is some real delightful comedy. Again, LOW is lovingly respecting the established lore to this mustache-twirling TOS-era villain race, and in so doing, embraces Trek, warts in all, mining that comedic Praxis till the whole thing explodes in their faces.

Back on the Cerritos, Boimler (heretofore "Boimz") gets a particularly grueling B-story where he wants to get his commemorative Tom Paris plate signed by the real deal, as Paris visits the ship. So this entire storyline is him bumbling around and almost dying a bunch of times. When he finally meets Tom Paris, he's mistaken for a Kazon and etc etc. This physical comedy stuff of Boimz just being generally screaming rarely lands, and makes you wish they used this B-story time for the other two plot threads.

Elsewhere, in the C-story, Rutherford is shocked to see Shaxs up and walking around, like he didn't die a few episodes back. This one gets a bit meta, playing with the serialized TV show universal constant that you cannot have a main character just die off. 9 times out of 10, they'll be brought back to life in by the end of the season, and that's exactly what's happened here with Shaxs. This becomes a reference spiral, with LOW just pointing at how it's a trope Trek, and having those references show up. I will say, this gives Rutherford some much-needed character building with Shax, which has been sorely needed this season (and the last). This unfortunately does mark the final point of walking back every shakeup to the status quo that occurred in the S1 finale, but, Shaxs is back, so, whatever.

By the end, the Orion A-story is strong, the Boimz B-story is a wash, and the Rutherford C-story has its moments. Pretty square 6 out of 10.


Rating: 6 (Jason Duane)


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