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Editorial
13 Aug 2025

Starfleet Academy: Comment on Premise and Trailer

The concept of a Starfleet Academy series has been proposed time and again. One early example from the 1980's is Harve Bennett's pitch for a prequel about Kirk and Spock's cadet years. This idea resurfaced in various forms over the decades. Yet, it never gained traction among fans. Polls on Trek sites and forums prior to 2017 consistently showed overwhelming support for settings like post-"Nemesis", the "Lost Era" (2293–2364) or future scenarios. Prequels and "Academy" concepts were always at the bottom of the list.

Some may argue that fan preferences have changed in recent years. Others see the fandom as saturated or even frustrated, so much that any new series would be given a hard time. Perhaps Starfleet Academy is the Trek that the franchise needs now, and we just don't know yet we want to see it?

Starfleet Academy (SFA) is set in the far future and not yet another prequel. So far, so good. Unfortunately it is not a popular future but the one established in Discovery. Although Discovery finally left behind its canon issues and became watchable since season 3, it never gained broad appreciation. The storytelling revolved around galaxy-ending stakes and Michael Burnham as the Savior - a formula that wore thin in each of the three seasons set in that era. Also, 32nd century design feels bland, and starships with their detached nacelles are awkward. Despite possible success in Paramount+ streaming metrics, Discovery never captured the hearts of fans like Picard season 3 or like much of Strange New Worlds. In this light, the direct spin-off Starfleet Academy has a difficult starting position.

Although it is not remotely as accursed as "Section 31" was before it even aired, SFA's reception is polarized. This may have to do with general dislike for the premise but also with some specific creative directions. The trailer, released in July 2025, currently sits at 11k upvotes and 11k downvotes on YouTube. It looks somewhat generic to start with, but that's often the nature of trailers. We can see a number of hybrid characters, including Klingon-with-other-race combinations for some reason, according to the preliminary character descriptions. Most notably, a female Jem'Hadar is introduced and explained as being a Klingon/Jem'Hadar hybrid. I hope this will make sense in a story or in her backstory, rather than being a mere shorthand for "This is the future - anything is possible". Let's wait and see. The cast is visibly diverse, which I generally don't have a problem with. But right now, the diversity feels more like a self-purpose ("We all want and have to be diverse, don't we?") than something organically tied to the story. Again, let's reserve judgment.

The trailer attempts to connect with young people's emotions and addresses themes that may resonate with them. This is a good thing because after all the young cadets are in the focus. Yet, it comes across a bit like a high school or a coming-of-age series about love and feelings, dancing and feelings, feelings and feelings. On the other extreme end of the emotional scale, there is one element that stands out, and not in a good way. It is the chanting: "Duty, Honor, Service!" The last time Trek gave us something like that was "Red Squad, Red Squad!" in DS9: "Valiant", and we all remember how that ended. Last time in Germany was in 1945, by the way. It just doesn't belong in Trek.

The EMH (Robert Picardo) is back, clearly included to draw in old fans like me, who adore him. Maybe we'll get an explanation for why he looks older (but not 800 years older). Then again, Trek producers may have grown tired of inventing excuses for such issues unless they can turn them into stories.

Holly Hunter plays the Academy Chancellor. She's an accomplished actress, no doubt. But she doesn't feel at home in the captain's chair. The way she sits down, with her knees pressed together like a shy girl on a bus, doesn't demonstrate leadership. Her speech to the cadets is restrained, even though she's doing nothing less than welcome them to Starfleet. I like her thoughtfulness, but she is somehow disconnected from the role. Hopefully this isn't another Geneviève Bujold situation (the Canadian actress once quit Voyager after a few scenes as Nicole Janeway, visibly uncomfortable on the bridge). On the plus side, Hunter speaks with her natural Southern accent as far as I can tell. She sounds much more pleasant than fellow Lanthanite Pelia (Carol Kane), whose performance in SNW has been disappointing - more weird than wise. Maybe we all get weird after 800 years? Anyway, let's hope Hunter's character goes in a different direction.

Nus Braka (Paul Giamatti) is the regular villain of the show. He's another hybrid, this time Klingon/Tellarite. There seems to be a personal connection between him and someone at the Academy. However, does the series need a villain at all? I've made my stance clear in many previous reviews: Trek is better without individual, mustache-twirling villains. The Klingons, Borg or Breen were sustainable, credible antagonists. But all the Khan clones? Not so much. Giamatti whistles the Star Trek theme at the end of the trailer, breaking the fourth wall. I don't understand why some fans are upset about that. Let the creators have fun with gimmicks, as long as they don't mess with the characters, storylines or canon.

On the topic of canon, there's a lot of namedropping in the trailer: the James T. Kirk building, a cadet researching Sisko's fate (is that contrived shot part of an actual episode?), a memorial wall with dozens of familiar names. That's a lot of references packed into a short trailer. Starfleet Academy clearly wants to be a firm part of the franchise. Whether it can live up to the legacy of those names is a different question. We've already had the adult comedy (Lower Decks) and the teen Trek (Prodigy), both mostly successful with the fans. I could even imagine Star Trek: Emergency Room or Star Trek: CSI. The universe is big enough for that, and maybe for a Star Trek: 90210 as well, if the centerpiece remains intact.

For me and for most fans I know, the centerpiece of Trek has always been exploration. Going where no one has gone before, with a bold leader and a crew of committed and competent officers (plus maybe a few newbies like Chekov or Nog). I don't know whether this works with a bunch of cadets who are wet behind the ears. The Academy has a ship (or *is* a ship?) named USS Athena. It appears to be the Defiant of this series, providing the space action that the campus in San Francisco naturally doesn't have to offer. The bridge design looks good, but the exterior is... ugly. We'll definitely get some exploration, not just high school drama.

But can Starfleet Academy be the centerpiece of the franchise? It may have to, as Strange New Worlds will end after Season 5, and no new series has been announced. If SFA gets renewed, it could be the only Trek series left. Right now, it doesn't seem strong and relevant enough to carry the franchise. The future of Trek is uncertain, especially after the Paramount-Skydance merger. Kurtzman's time may be coming to an end. So maybe I should want Starfleet Academy not only to succeed but to become *the* Star Trek. Still, like most fans I talk to, I'd much rather see Star Trek: Legacy as proposed by Terry Matalas. And no, Akiva Goldsman's brainchild, the SNW sequel aka TOS remake, doesn't have my support.

I wish Starfleet Academy good luck. I didn't downvote the trailer, in case you're wondering.

Bernd Schneider

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Latest Comments on EAS Articles (Overview)
  • 30 Oct 2025

    Oh, I agree. My main point was, 'I know this will not shift your overall impression of the episode, but here is one detail that they at least did address. In some fashion.'

  • 30 Oct 2025

    Yeah, I may have missed a few details. But I don't see how this consistency changes anything, except perhaps in a "two wrongs" fashion. This episode is a bit like, after what had happened in "Threshold", the bridge crew of Voyager made a voluntary Warp 10 flight to mutate to salamanders in a controlled fashion, for reasons.

  • 30 Oct 2025

    You have a point here. I was hoping for some kind of motivation to be revealed and for some kind of debate about it, which was effectively killed by sticking the "evil" label on the Vezda. Some of the entities you mentioned are evil for evil's sake indeed, so this theme belongs to Star Trek.

  • 30 Oct 2025

    "Last but not least, it goes against the foundations of Star Trek that villains are evil for evil's sake."

    Forgive me, I do not mean to be rude- but I think your bias against this season is blinding you a bit. Even if we ignore entities like the Gorgon, Redjac, the Day of the Dove entity, Pah-wraiths, or the God-being of Star Trek V (that certainly seem to be pure malevolence, but might theoretically have some deeper motivation), Armus from Skin of Evil most certainly qualifies as evil for evil's sake, and that was on Roddenberry's watch.

  • 30 Oct 2025

    My thoughts on a few of these...

    "Ross class": There's no logical reason for this to exist. It's just a bigger, meaner Galaxy class.

    "Odyssey class": I like this one. To me, it fits the evolution of starship design. It LOOKS like a logical next step from the Sovereign class, with some inspiration from the Intrepid.

    "Reliant class": Oh boy. I like the design, but.....the MIranda class was in widespread use at least til the end of the Dominion War in 2373, and there was one in the fleet that met Voyager at the end of "Endgame" in 2375. Would Starfleet retire a steadfast design that had been in use for at least 90 years, only to replace it with a new class that is virtually identical. Especially when you consider that the Nebula class was intended to be to the Galaxy class what the Miranda was to the Constitution refit. (On a side note: There's no reason for the Sutherland to exist, as it's just Nebula Class 2.0)

  • 27 Oct 2025

    I recognize that I am unlikely to curb your loathing for Four and a Half Vulcans, but one technical point- they DO address the fact that the serum gives them Vulcan 'personality,' which ordinarily takes years of training to achieve. As an inverse corollary of Spock having an instant human personality in the original episode. Now, yes, that is still handwave-y magic, and saying that the opposite of the prior magic is magic with an opposite effect doesn't make it less magic. But, it is at least addressed, which the review suggests it was not. They are at least consistent in that whatever-it-was has a built-in psychological component as well as a physiological component.

  • 26 Oct 2025

    Small set piece blunder, a piece of sealer foam has come unstuck behind the lighting gell on Guinan's desk. Creating a diagonal shadow over the light bar, above the LCARS squares, when the panels light up.

  • 25 Oct 2025

    Added Mercury 6 / Friendship 7 and Apollo 13 patches (both in "First Contact").

  • 25 Oct 2025

    Added "forked medical & engineering tool".

  • 23 Oct 2025

    K how is the Intrepid class basically the same size as an Excelsior? Sorry, something's a little off here.......

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  • 20 May 2025

    Model by

    JLStudio

    thumbnail
  • 11 May 2025

    The Arrow class Runabout "Spirit of Proxima" escorted by two Kestrel class fighter. (Alternate view of this image: Escorting the Arrow)

    In 2379, a medium-sized dispute broke out between the Kromsapiods and the Talarians over two planets in the Goliana system. The Talarians wanted to found a new colony there, unaware that the two planets serve as traditional hunting grounds for the Kromsapiods. Starfleet agreed to serve as a neutral mediator for the two parties, but due to the repeated outbreaks of violence on both sides, they wanted to play it safe and sent a small fighter escort with the diplomatic ship.

    Rendered in 3ds Max 10

    No Post Work

    Arrow Class Runabout Designed by Malcolm Lu (Galen) and Andrew Gillespie (Kaden)

    Kestrel class Fighter model parts (Typ 2 Shuttlecraft & Peregrine fighter) by David Metlesits

    Similar Star Trek artworks:

    thumbnail
  • 06 May 2025

    Someone once asked me to make a display looking like someone from TNG or beyond was researching older starship designs. This is what I came up with

    thumbnail
  • 18 Nov 2021
    This was done for a good friend StarfleetShipyards . He suggested I do something in the TAS Klingon Uniform style for the Dahar Masters, and also in hair styles that reflected by Worf's hair styles throughout his tenure in Trek.
    thumbnail
Jörg Hillebrand @ Mastodon
  • 02 Nov 2025

    Whoever bought the "Nuk 'Em" game prop (built by Modern Props) from "RoboCop"↗️➡️ when it was auctioned off by Profiles in History ⬇️ some years ago not only also got a "Back to the Future II"⬅️ prop but a prop as well, as it was seen (with silver 3D chess pieces) in Wesley's quarters in "The Dauphin"↖️.😀

  • 02 Nov 2025

    Here's all the food we seen inside the soup kitchen inside the 21st Street Mission in ' "The City on the Edge of Forever": the biggest coffee pot I have ever seen, bread and soup, of course. What kind of soup might that have been?

  • 02 Nov 2025

    The pattern seen on the light panels in the interrogation room in 's "The Drumhead"⬇️ and "The Defector"⬅️ is very familiar: it was created for the Aldean energy core in "When the Bough Breaks"↖️ and also appears on Klaa's Bird-of-Prey in "Star Trek V: The Final Frontier"↗️➡️.

  • 02 Nov 2025

    Some stock footage of street vendors in New York in the "1930s" was used in ' "The City on the Edge of Forever". This footage was actually filmed in 1953. In , the footage stops right before the 1950s cars enter the scene... ;-)

    gettyimages.de/detail/video/ve

    Here's another video filmed at the same spot on the same day.

    gettyimages.de/detail/video/pe

  • 02 Nov 2025

    The original version of 's "The Drumhead"⬅️ featured a horizontally flipped beauty shot of the USS Enterprise-D (original: "The Nth Degree"➡️), meaning all the writing on the hull is mirrored. For the remastering, the large registry on the saucer was fixed but not the small "Enterprise" above the deflector (middle).

  • 01 Nov 2025

    Here's the food that Kirk buys for himself and Spock when they share a room in ' "The City on the Edge of Forever". Well, that big sausage certainly is all for himself, as Spock does not eat meat, at least according to "All Our Yesterdays".

  • 01 Nov 2025

    A twin sonobuoy carrying case, first seen in sickbay in the pilot episode "Encounter at Farpoint"⬆️ appears again in engineering in "The Drumhead"↘️ after it had last been seen in season 3's "The Ensigns of Command".

    ex-astris-scientia.org/inconsi

  • 01 Nov 2025

    Here's all the (fake) food seen in the scenes in ' "The City on the Edge of Forever" that were filmed on the 40 Acres backlot. There is some canned fruit, delicious March bakery goods and the milk that "Rodent" drops. I will have to write an article on 40 Acres when I get to proper!

  • 01 Nov 2025

    It seems as if the footage of the broken warp core in 's "The Drumhead"⬆️ could not be located for the remastering of the episode ⬇️ as it can be seen that the original SD footage was recolored and re-used for the HD version of the episode.

  • 01 Nov 2025

    Here's an overview of the 6 appearances of the console I have found so far. It's also seen on a background screen in the 1980 Incredible Hulk episode "Prometheus II"⬇️ and the slanted dark part from "Battle Beyond the Stars" is seen in the 1981 Buck Rogers episode "Mark of the Saurians"⬆️. 8/8

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