Observations in TNG:
"Hide and Q"
A joint project with TrekCore, by Jörg Hillebrand and Bernd Schneider
Here are some observations about sets, props and visual effects in TNG: "Hide and Q" without a specific theme, and a comparison of the original TV release (TNG) with the remastered episode (TNG-R).
"Hide and Q" HD Screencaps @ TrekCore
|Description TNG||Other caps||Comparison TNG to TNG-R||Description TNG-R|
|The shot of the three crewmembers leaving the lounge (a redress of the sickbay office) was originally filmed for and seen in "Encounter at Farpoint".||No changes|
|This is the first good look at the senior officers' quarters corridor. At one end of the corridor we can make out a small niche with a turbolift. When this set was modified between seasons 1 and 2 to include Ten Forward, the niche at the end of the corridor was enlarged and the turbolift door was moved. Also note the removal of the diagonally striped pattern from some walls in later episodes, in favor of plain beige.||
|Q's "chain-link fence" is re-used from "Encounter at Farpoint".||TNG-R: "Hide and Q" naturally uses the updated effect from TNG-R: "Encounter at Farpoint".|
|The graphics of a planetary system and a planet seen behind Worf were originally seen in "The Naked Now". The graphic of the planetary system reappeared in "The Last Outpost" and "Conspiracy", the graphic of the planet showed up in "Datalore" in addition to the previously listed episodes.||
"The Naked Now"
"The Naked Now"
|A better look at the display in HD.|
|Q appears as an Aldebaran serpent.||The Aldebaran serpent was faithfully recreated in HD.|
|Q's uniform is possibly the first appearance of a Starfleet Admiral dress uniform. A uniform like this did not appear again.||No changes|
|A flash of light as Q abducts part of the bridge crew to his war scenario.||No changes|
In order to extend the set, two different elements of filmed footage were combined here. The actors were filmed separately from the rocks in the foreground.
Mike Okuda. "Those shots were, indeed set extensions. For the original versions, Rob Legato and Gary Hutzel, took images of the rocks on Stage 16 and used video compositing to create more planetscape. They also stretched the sky in at least one shot."
In the remastered episode, the rocks in the foreground have been replaced by CG rocks.
Mike Okuda: "For the remastered version, CBS-D used simple matte paintings to re-create the extensions."
|The twin moons.||The twin moons look a little less defined in this shot in HD. They are likely beyond the depth of field as the camera is focused on Data and not on the sky in this shot.|
The blue table cloth behind Riker features the letter "Q".
Also, it is curious that someone posing as Napoleon (or at least, as a French marshal of the Napoleonic era) has a French royal banner with the fleur-de-lis (lily) in his quarters.
|A better look in HD.|
|The ceiling of the set is visible in this shot.||
The set border is no longer visible, apparently because the
scan area of TNG-R was smaller in that direction.
Thanks to the much better quality of the footage, it can be seen now that Yar, Data, Geordi and Worf are holding blue, yellow, green and red drinks, respectively.
|In this whole sequence, Data’s rank insignia are wrong. The rightmost rank pin should be golden as well, of course.||A better look at the wrong pip in HD.|
|Q is wearing the Spanish Order of the Golden Fleece, which was awarded to Napoleon Bonaparte.||A better look at the order in HD.|
The only good look at the cover of Picard's first Shakespeare book,
The Globe Illustrated Shakespeare.
Picard's Shakespeare Books
|A better look at the book cover in HD.|
|Swine soldiers attack with what turns out to be beam weapons despite the ancient look. Riker returns fire. Beside him: Q in his "Data" guise.||No changes|
|The Enterprise is unlit and powered down when Q removes his forcefield.||This state was reconstructed in TNG-R.|
|Another look at the twin moons of Q’s planet.||A better look in HD.|
|Here’s the second shot that was extended with additional footage of the rocks in the foreground.||Those rocks were replaced with a CG matte painting in the remastered episodes.|
|The silver Constitution class model makes its second appearance in the ready room after "The Battle".||A close-up of the model in HD.|
|The Enterprise arrives at Quadra Sigma III. Unlike other planets, this cloudy world does not seem to reappear later on TNG.||The planet with its interesting combination of colors was reconstructed for TNG-R.|
|The wall in the background on Sigma III got re-used in several later episodes, including "Too Short a Season", where it was seen on Mordan IV. A very similar wall appeared in several Star Trek films, including "Star Trek II: The Wrath of Khan" and "Star Trek III: The Search for Spock".||
"Star Trek II"
"Star Trek III"
|An early appearance of a 47 is seen behind Crusher.||A close look at the 47.|
|The dark side of a planet is seen in this shot, which is a rare occasion in any Star Trek episode.||Like in the original episode, the dark side of the planet is seen in this shot.|
|The turbolift is only partially lit when Riker enters the bridge. A few moments later, it is fully lit when he laves the bridge.||The same small blooper in TNG-R.|
|A black cardboard square is clearly visible behind Picard.||Clearly visible cardboard in TNG-R too.|
|When Riker gives him back his eyesight, it is the first time we can see Geordi with real eyes. We also see Geordi with LeVar Burton's natural dark eyes in "Future Imperfect", "Interface" and "Star Trek: Insurrection".||A better look at Geordi's eyes in HD.|
The Klingon woman that Riker creates for Worf has cranial
ridges unlike other members of her species.
The Evolution of Klingon Foreheads
|The Klingon warrioress is attacking Worf with a 24th century version of a kligat, originally seen on Capella IV in "Friday's Child". According to the script, the kligat is a Klingon, not a Capellan weapon: "Her other arm holds a Klingon weapon -- a kligat.”||
|A better look at the weapon.|
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|Last modified: 24.11.12|