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Observations in TNG: "The Bonding"
A joint project with TrekCore, by Jörg Hillebrand and Bernd Schneider

Here are some observations about sets, props and visual effects in TNG: "The Bonding" without a specific theme, and a comparison of the original TV release (TNG) with the remastered episode (TNG-R).


"The Bonding" HD Screencaps @ TrekCore

Description TNG Other caps Comparison TNG to TNG-R Description TNG-R
This shot of the Koinonian homeworld is a re-use of Brekka from "Symbiosis". The same shot was used again in "Transfiguration" as an unnamed planet in the Zeta Gelis cluster.
Re-Used Planets in TNG
The remastered episode shows us a new planet.
A nice shot of the part of sickbay opposite the main entry door. The transparent spreadsheet first seen in "Angel One" is still part of the sickbay set. As can be seen, a wall console, similar to the one next to the main sickbay entry, has been added to the right of the sickbay back entry as well. Like the opposite door, the back door was painted orange for season 3, too. The nearly identical screenshot from "Up the Long Ladder" shows what that part of the set looked like in season 2.
"Up the Long
Ladder"
The redesigned sickbay entrance area in HD.
The medical carrying case seen here has a small PADD attached to its side. This is the former holodeck PADD seen in several early season TNG episodes. It also appeared as a medical PADD in "We'll Always Have Paris" and as an Orion PADD in ENT: "Borderland". 

The case itself was later seen as a regular non-medical case in episodes such as "Family" and "Half a Life". It seems in the original episode, the PADD covers the (embossed?) brand label of the manufacturer of the case (seen in the bottom right-hand corner). In "Family", the brand was covered with gray tape.


"Code of Honor"

"Family"
No changes

"11001001"

"Half a Life"

"We'll Always
Have Paris"

ENT: "Borderland"
The back door to sickbay is seldom seen open. In this shot, a blue corridor can be seen behind the door. More episodes in which this door is seen open are "The Game" and "Tapestry".

The scientist's uniform appears again after "Who Watches the Watchers". The version worn by the scientist here, with added pockets, is only seen in this episode.

The Starfleet officer in the foreground holds a case with the familiar Starfleet arrowhead symbol. This case (and similar cases of this type) are seen in countless Star Trek episodes. Dr. Dalen Quaice carries one in "Remember Me", as does Lwaxana Troi in "Half a Life". A red version of this case plays an important role in the Voyager episode "Timeless", Beverly Crusher has a blue case like this in "Suspicions".

 


"The Game"

"Tapestry"
No changes

"Remember Me"

"Suspicions"

"Half a Life"
This shot of the Koinonian homeworld is a re-use of Solais V from "Loud as a Whisper". Naturally this shot too shows the new planet in TNG-R. There is a very slight mis-framing (just one pixel column) on the right edge. 
A small patch of fabric hiding the power access for the main engineering pool table can be seen in this screenshot. A similar patch is seen in "Unnatural Selection". The screenshot from that episode reveals how differently the set was lit in season 2 and that the carpet was replaced during seasons.
"Unnatural
Selection"
The patch is still present in TNG-R.
Only in this episode is Worf's quarters lit intensely blue. No changes
A Klingon d'k tahg is seen for the first time on TNG after it debuted a few years earlier in "Star Trek III: The Search for Spock". As can be seen, there are a few small differences between the two knives. The hollow slid at the center of the knife is both wider and longer and not rounded in Worf's d'k tahg. The handle is also symmetrical and not as elaborately decorated as in the third Star Trek film.
"Star Trek III"
A look at the knife as it appears in the  remastered episode.
According to this script, this scene is set in the teacher's office. The screenshot reveals it is a redress of the junior officers' quarters. Behind Picard, a shelf can be seen and the door to the old sonic shower (first seen in Ilia's quarters in "Star Trek: The Motion Picture") is behind Troi. Roughly the same section of the set can be seen behind Wesley and Data in this shot from "The Dauphin".
"The Dauphin"
No changes
This is again a re-use of Solais V from "Loud as a Whisper". Another view of the new planet.
Octagonal glasses like this one are often seen on TNG. This type is first prominently seen in this episode. No changes
The computer access room appears again after "Evolution". Some low walls have been added to the set and the desk was removed.
"Evolution"
No changes
This is the very first time a video is displayed on a PADD and a large PADD of this type appears on the show. In "Future Imperfect", Jean-Luc Riker is looking for the same PADD in his quarters. Vash also has such a PADD (displaying a map of the ruins of Tagus III) in her guest quarters aboard the USS Enterprise-D.

Jeremy Aster's hands seem a little too chubby for a kid his age in this shot. Somebody else must have held the PADD when it was filmed.


"Future Imperfect"

"Qpid"
No changes
The Asters' quarters features several unusual but beautiful space paintings like this one, created by Rick Sternbach.
Space Art in Star Trek: The Next Generation
A better look at the painting in HD.
The image of the cratered surface of the Koinonian homeworld is actually an image of Valles Marineris on Mars. The images on screen were obviously reworked for the remastered version. They are less cloudy now, and look even more like the surface of Mars than before.
A scan of the Koinonian homeworld. These graphics were newly created for TNG-R but are very close to the original.
A transparent, blue PADD can be nicely seen in this shot. An HD close-up of the PADD.
A model of a Constitution-class vessel is on display in the Asters' crew quarters. This seems not to be the same model seen in several season 1 episodes, as it has a black stand in this episode.
"The Neutral
Zone"
No changes
Jeremy Aster's thumbs do indeed look different in this shot than when he held the PADD earlier in the episode. No changes
Another unique space painting in Marla and Jeremy Aster's quarters created by Rick Sternbach. No changes
The same case earlier seen in sickbay appears again in Marla Aster's house. No changes
The futuristic microscope was previously seen in the sickbay lab where Wesley Crusher conducted experiments on nanites in "Evolution".
"Evolution"
A close-up of the microscope in HD.
The bird statue behind Marla Aster first appeared in the second season episode "The Icarus Factor". After the appearance in this episode, it was seen again on Arkaria in "Starship Mine" in the Maquis colony on Ronara in "Preemptive Strike" and on Annorax' time ship in VOY: "Year of Hell I+II".
"The Icarus
Factor"

"Preemptive
Strike"
No changes

"Starship Mine"

"Year of Hell I"
The wooden sculpture on the table was previously seen in Tasha Year's quarters in "The Naked Now".
"The Naked Now"
No changes
The Koinonian lifeform leaves its homeworld as a scan of the planet is displayed on the bridge main viewscreen.

Notice how the dissipating energy beam changes from green to blue when it leaves the planet in the original episode.

The graphics now contain some in-jokes. The text under "Relativity factor" was replaced. The original, illegible text in the third to last line now reads "Greenberg return 374", probably a reference to Don Greenberg, visual effects editor compositor on TNG. "Axial Flux Location" in the second to last line was replaced by "Tezber Factor Locator". The "[illegible] Operator" in the last line, finally, was replaced by "Sarpaul Operator". This is a reference to Sarah Paul, a visual effects coordinator, who is involved in the remastering of TNG.

In the remastered episode, the beam stays green the whole time.

The footage of the USS Enterprise-D looks just as washed out here as it did when the same footage was used in "The Child".
"The Child"
The improved shot in TNG-R.
A Koinonian in its true form. The otherwise faithfully reconstructed effect of the Koinonian attacking the security guards is not complete. The white energy that briefly appears on their bodies when they are hit by the blue energy creature, is missing in the remastered episode.
A security guard is attacked by the Koinonian. 
A nice look at the empty transporter room. No changes
In the previous shot of Marla and Jeremy Aster, the crew quarters set was still transformed into Aster's house. Here, the regular replicator found in crew quarters can be seen through the door. No changes
The ceiling of the short corridor set can be wonderfully seen in this shot. The ceiling in the remastered episode.
This is the first time a corridor forcefield has been seen in use. No changes
These three workstations in main engineering still feature the same type of orange/brown LCARS displays seen in season 1.
"The Naked Now"
No changes
A close look at the LCARS display behind the transporter console. In HD, the letters can all be read.
A graphic of the Beta Renner cloud (from "Lonely Among Us") can be seen behind Riker. The same graphic was also displayed on the same aft station monitor in "The Ensigns of Command".
"Lonely
Among Us"

"The Ensigns
of Command"
No changes
The same three masks seen in Marla Aster's house here later appear in Doctor Crusher's quarters in "Suspicions" and "Sub Rosa".
"Suspicions"

"Suspicions"
No changes
The footage of the corridor behind Worf and Wesley was added in post production as there was no way the set of Marla Aster's house could actually be connected to the short corridor set. This also explains why this shot is a little blurry.  No changes
It seems the wall piece usually featuring Data's desk was removed for this shot of Worf's quarters, allowing the large blue wall.  No changes
This shot of the Koinonian homeworld will be re-used in "Firstborn" when it is used to depict Kalla II.  A final look at the new planet.

 


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Last modified: 25.10.13  
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