The Next Generation (TNG) Season 7
Reviews in progress.
Descent II See TNG season 6
Liaisons Stardate not
given: Picard welcomes two Iyaaran ambassadors, Byleth and Loquel, aboard his ship, before
embarking a shuttle with a third Iyaaran, the pilot Voval, to meet with their leader.
Picard assigns Riker to tend to Byleth, but the Iyaaran insists on staying with
Worf. In the following, Byleth does everything to enrage the Klingon. Troi,
on the other hand, finds herself escorting the gentle Loquel, who is longing for
entertainment and any kind of culinary pleasures above all. When Picard's shuttle crashes on a hostile
world and Voval is knocked out, he finds a human woman, Anna.
She has apparently been living there for seven years, after her freighter has crashed.
Picard initially likes the sympathetic woman, but soon notices she sabotages his attempts of
getting rescued. It turns out that Anna is not real and was a disguise of Voval,
who is another ambassador. The Iyaarans
arranged this whole scenario on the planet to test the human emotion of love, just as the two
ambassadors on the ship were to experience rage and pleasure, respectively.
Some aspects of "Liaisons" are quite enjoyable, some are rather annoying. The interaction between Deanna and Loquel as well as between Worf and Byleth is very amusing, and never gets ridiculous. It is my impression that the events on the Enterprise were meant to be only the secondary plot. But they make up for the contrived and tiresome main story with Picard and the alleged lonely human woman on the planet.
In my view there is a logical flaw already in the Iyaarans' intention to explore the human(oid) emotions of rage, pleasure and love. They were so well prepared for their roles that no one of the Enterprise crew ever noticed that it was only a charade, a problem already known from DS9: "If Wishes Were Horses". If the Iyaarans really didn't know any of that, they must have done a good deal of research on the topics, and must have rehearsed a lot. In other words, there would have been no need for a live test. Also, the Iyaarans are a spacefaring race with comparably advanced warp technology. They must have been in contact with other alien races before. It makes no sense that they don't have the slightest idea of the basic principles that are common to all races except for themselves. Moreover, they should have anticipated that they would annoy their hosts already at their first contact.
Continuity: Picard says that Terellians have four arms, which will later be contradicted in VOY: "The Fight".
Remarkable dialogue 1: "I do not see why it is necessary to wear these ridiculous uniforms." - "Protocol." - "They look like dresses." - "That is an incredibly outmoded and sexist attitude. I'm surprised at you. Besides, you look good in a dress." (Worf and Riker)
Remarkable dialogue 2: "I have heard that in moments of diplomatic tension, it is often helpful to find elements of commonality." - "Ambassador Byleth is demanding, temperamental and rude." - "You share all of those qualities in abundance. Perhaps you should try to build on your similarities." (Data and Worf)
Remarkable scene: After the brawl with Worf, Byleth rises to his feet again and leaves with the words, "I will document this experience". Worf, Riker and Troi are startled. Loquel, however, is still sitting on the poker table, smiling, with his cards and the bowl of chocolate in his hands. He passes the bowl to Deanna, who doesn't give him a look but only grabs a piece of chocolate.
Remarkable shuttle: The Iyaaran shuttle is a redress of the Nenebek from TNG: "The Final Mission" and the J'naii shuttle from TNG: "The Outcast".
Remarkable dessert: This episode shows the Ktarian chocolate puff, made of 17 types of chocolate.
47215.5: Fitted with a new interface suit that converts sensor data from a probe
to VISOR inputs,
Geordi is ready to take on the retrieval of the lost USS
Raman, which is stuck in the atmosphere of the gas giant Marijne VII. Captain
Picard, however, has the sad duty to inform Geordi that the USS Hera, the
starship of his mother Silva, is missing with all hands. Geordi does not want to
mourn yet and carries on with his mission. He suddenly sees his mother's image
on the Raman, indicating that she may still be alive. But no one of the crew
lends credence to his words. He hooks himself up once more to the probe, now
against orders. Geordi learns from his "mother" that her starship is located still lower in
the atmosphere, but this turns out to be a message by lifeforms that are
trapped on the Raman and need to be brought back to their realm in the lower
I used to rate "Interface" higher, but now that I am watching it for the first time in several years it is a very underwhelming experience, and arguably the greatest disappointment of my whole TNG review tour. On the bright side, the episode does a solid job working with Geordi's character. His attachment to his mother, combined with his faith in technology and technobabble makes him blind (sorry for the pun) for what is really going on. Fortunately he gets a chance to redeem himself and save the aliens thanks to the same special equipment and abilities that got him into trouble in the first place. I also like Geordi's interaction with Data, but also with Troi, Picard and Crusher, and especially with Riker. Actually, a filler scene of the two in engineering was filmed several weeks after the end of the regular shooting schedule because the editors ran out of footage. This is no surprise considering how incredibly thin the story is.
I'm not the biggest statistics buff, but it occurred to me that up to this point we have seen family members of almost everyone among the principal cast, especially in season 4 (which I refer to as the "Season of the Family"). Even the sister and daughter of Tasha Yar showed up. The only exception is Geordi. So it was just too obvious to bring in Geordi's family in some fashion. Unfortunately his family is never involved beyond the point of mere lip service. Geordi's father appears only on a computer screen, and his mother is an illusion anyway. I ran across this statement by Ron D. Moore that hits the nail: "I think it was a point where we were in the room and we were talking about bringing Geordi's mother in, and we all kind of looked at each other and we were like, 'This is sad. This is the best we can do? Is this the best we can do, is Geordi's mother?' It was such a 'who cares' idea that we were just sort of, 'Oh man... This show has got to end.'" (source: IGN, via Memory Alpha)
Besides token family members we have got another derelict science vessel and a new virtual reality technology that never really gets interesting. But speaking of clichés, the worst of all is that the "ghost" of Geordi's mother turns out a manifestation of some unnamed shapeless aliens ("subspace beings of some kind") that for some reason know what Geordi expects to hear and see but that are never seen again. I don't remember what I thought when I first watched the episode, but this revelation (as late as three minutes before the end of the episode) is a big letdown even now that I am prepared for it. If it were not for those aliens, the outcome could have been particularly realistic. Geordi may have been hallucinating his mother, and for once everything may have been just the way it seemed. The outcome may have played with our expectations, and it may have put a limit to TNG's preoccupation with alien lifeforms that are responsible for almost everything that does not work the way it should on the Enterprise. Among the various stories with a similar theme (such as "The Loss", "Night Terrors" or "Power Play"), "Interface" is clearly the worst take.
I also have a beef with how the interface probe works. It just doesn't make sense (in Star Trek but also in most other science fiction) that the signal of a virtual reality interface needs to be boosted to a point that it overloads the operator's nervous system. Regarding the visualization of the system, I don't mind that we see Geordi walk about on the Raman all the time, but his environment is shown from Geordi's point of view. This is just a question of style. But it becomes downright absurd when we see Geordi's "mother" (actually the shapeless aliens) grab "Geordi's" head (actually the probe), while he himself doesn't notice anything!
Gambit I/II Stardate
47135.2/47160.1: It seems Picard was vaporized by a
weapon in a
bar weeks ago. Riker is determined to find out who killed the captain, and he follows
the trace of the possible murderers to Barradas III. Suddenly the away team is ambushed by
a group of mercenaries. They kidnap Riker, who is surprised to find Picard alive
- as one of them. Taking a cue from Picard, who plays the archeologist
"Galen", Riker assumes the role of a renegade Starfleet officer eager
to join the mercenaries. The Enterprise follows the mercenary ship to Calder II.
Like Barradas III, this was once the home to a Romulan offshoot civilization. Picard and Riker play their parts by firing a low-level phaser
burst that leaves the Enterprise unharmed but impresses the mercenary leader,
Baran. Tallera, an alleged Romulan, recognizes that "Galen" is not who
he pretends to be, and she reveals to him that she is actually
Vulcan and that the mercenaries are seeking to complete an ancient psionic Vulcan
weapon. During a raid of the Enterprise in order to obtain another piece of the
weapon, "Galen" pretends to kill Riker, and upon his return assumes
command of the mercenary ship. When the mercenaries finally reach Vulcan to deliver the
psionic resonator to an isolationist movement,
Tallera turns out to be the one who wanted the weapon. With the power of thoughts she kills
two of the mercenaries, only to see that the weapon is
useless against those who don't share the hatred.
"Gambit" is further proof that the series is running out of steam in its final season, because in several ways it feels like a reissue of "The Chase" in the previous season. Both episodes are about a treasure hunt from planet to planet, in an attempt to obtain the pieces for an archeological puzzle. In "The Chase" one idea was that the DNA code could contain plans for a powerful weapon, in "Gambit" the puzzle pieces actually belong to a weapon. In "The Chase" Picard met his old mentor, Professor Galen, here Picard himself poses as an archeologist named Galen. There isn't anything in the story concept of "Gambit" that could possibly better the ingenious idea behind "The Chase", a pivotal episode of the franchise. The producers attempted to make up for this inherent disadvantage of the story by extending it to a two-parter, by putting Picard and Riker in unusual roles, and with more action. However, while the flow of the story is smoother (I remember the directing of "The Chase" as a bit bumpy, which is the only reason why it don't give it as many as 10 points), "Gambit" is overall quite implausible.
It all begins with the crew's undercover investigation of Picard's disappearance in the teaser of the first part. Riker, Worf, Troi and Crusher are doing the best to fill their roles, and I think it is intentional that they don't feel like typical visitors of the bar at all, but rather like what they are, Starfleet personnel in civilian clothes. This raises the question why they don't beam down in uniform in the first place. It is a recurring problem of the episode that the crew are not prepared for their roles, that their actions are badly considered and that everyone survives only by chance. Still they carry on with their undercover roles at any time of the story, even though their actions may seem utterly implausible to Baran and his people, even though someone may blow the whistle any time, even though it may endanger many lives and even though it brings the criminals dangerously close to getting what they want. Picard's efforts to make an ass of himself, in order to get Baran to trust Riker, are awkward. And considering that they can't really coordinate their actions, their charade for Baran is very dangerous not only for themselves but even for the Enterprise. Data correctly recognizes that Riker would never attempt to gain access to the shields using his obsolete code, and in an act of carelessness he orders the shields to be dropped, in the hope that Riker knows what he is doing. But actually Riker can't be sure that Picard and no one else would fire on the Enterprise, using minimum power. And how in the world could he hide an encrypted message in the code he sent? This is just one of many examples where the story just doesn't work. Ultimately we have to pose the question why no one tries to apprehend the mercenaries, for which there would be plenty of opportunities, before they can achieve their goal and do even more damage.
While Baran is just too blind to see that Picard and Riker are playing games with him, at least Tallera is smart enough to see that Picard (unlike Patrick Stewart) is a bad actor. It only doesn't make sense that she bothers to tell Picard/Galen that the device is a powerful ancient weapon and that the isolationists on Vulcan want to get hold of it. By revealing all that she only unnecessarily alerts Picard. Anyway, although it is yet another ancient piece of technology that works against all reason, I like the revelation that the psionic resonator works only against those who are aggressive and that it is useless in peace.
Overall, "Gambit" is exciting and does have some memorable moments, but it is not very original and it is lacking plot logic. So it pales in comparison to "The Chase".
Nitpicking: Riker refuses to attend the memorial service for Picard. Although the circumstances are different, this is not the same Riker who organized a fun party after Geordi and Ro had been declared dead in "The Next Phase". -- When the mercenaries, together with Riker on the floor, line up for the beam-out, Worf can see them. Why doesn't he shoot? -- Picard tells Baran that Riker is the commanding officer of the Enterprise (which is hard to deny, considering Riker's rank pips), and that Riker has a "history of insubordination". That doesn't fit together at all, because why should Starfleet reward such an unreliable officer with the command over one of their most powerful ships? -- One more example of carelessness: "Killing" Riker on the Enterprise was a bad idea by Picard, because who says that Baran or someone else loyal to him wouldn't kill Picard immediately after his return? Picard somehow managed to disable to pain inducer, but they still have enough other weapons.
Remarkable scene: After their return for the mercenary ship, Riker remarks that Picard has been declared dead and should not give orders, whereupon Data states that Riker is still considered a renegade. Before entering his quarters, Picard orders Data to escort Riker to the brig - which Data does, against Riker's protest that it was just a joke.
Remarkable appearances: The Klingon Koral is well over 2 meters tall. He is played by basketball player James Worthy. -- Robin Curtis appears as Tallera. She previously played Saavik in "Star Trek III".
Remarkable facts: While not explicitly referring to the exodus of dissenters from Vulcan, the episode provides several facts about the common Vulcan-Romulan history. Most notably the Debrune civilization, an offshoot of the Romulans (ex-Vulcans?), once settled on the planets Barrdas III, Calder II, Yadalla Prime and Draken IV.
Crew death: 1 security officer
47225.7: Data is troubled by nightmares from his dreaming program, including a "cellular
peptide cake" in the shape of
Deanna Troi and workmen apparently disrupting a plasma conduit. In the meantime,
Geordi attempts in vain to activate the new warp core. When Data begins to see strange mouth images on his crewmates and finally stabs Deanna into the
shoulder, he is confined to quarters. Beverly, examining Deanna, finds an
interphasic creature just where the wound is located. These lifeforms are
extracting cellular peptides from their victims and have also disabled the warp
drive. With the help of Data's dreams,
which symbolize the effects of the alien attack, Picard and Geordi devise a high-frequency interphasic
pulse to expel the creatures.
I was dissatisfied with how Data's first dreams were incorporated in the 6th season episode "Birthright". His dream experience unnecessarily sidetracked the main story about Worf (in an awkward attempt to build a "seeking for your father" theme), only to end in a very unspectacular way. For the sake of continuity, I am glad that the topic was picked up again. But the story built around Data's nightmares in "Phantasms" turned out to be another disappointment.
I like the score and the camera work in the nightmare sequences. I also like the visualization, such as the 19th century workers who tap into the plasma conduit, Troi as the cellular peptide cake (with mint frosting!), Beverly sucking something from Riker's head through a straw, and the telephone ringing inside Data's body. It is clear that all this has a significance, which is why Data seeks advice from Deanna and from Dr. Freud. Yet, all this has little to do with Data's mind. The revelation that actually invisible aliens are responsible for Data's dreams (as well as for the malfunction of the new warp core) is a big letdown, considering that it is the standard explanation for everything that goes wrong on the ship (such as only lately, in "Interface"). Yet, I don't think that the alien involvement is quite as bad an idea as in "Interface", because here it is an important part of the story and not a lame "deus ex machina" device.
Overall, the worries about Data's ability to cope with nightmares and about Picard arriving at the Admirals' Banquet in time are too trivial to make a good episode, let alone the young ensign who has a crush on Geordi. Stranger things happen on the Enterprise all the time, and so it needs Data's attack on Deanna and the revelation of the alien threat to get the story finally moving. However, even when Beverly discovers that scary alien creatures are attached to everyone's body, no one is really horrified. It happens all the time, and it is resolved with too much routine. The thin story (comparable to "Interface") would normally warrant no more than two points, but I still like what was made of it, so I think four points are a fair deal.
Nitpicking: While it makes some sense that Data perceives the alien creatures only subconsciously, it is not really plausible that he can fight them in his mind with a method (the shrieking) whose equivalent work (the high-frequency pulse) would work in the real world.
Remarkable scene: Dr. Freud, a figure in Data's unconscious mind, explains to Picard and La Forge who he thinks he is: "If I were to interpret my own appearance in this dream, I would say I am the symbolic representation of Data's unconscious mind trying to warn him about the dangers he perceives around him."
Dark Page Stardate
47254.1: Lwaxana Troi seems to be tired, even
depressive, in the presence of the telepathic Cairn, who until recently were not
able to communicate verbally. Lwaxana breaks down as she watches how a Cairn
girl falls into a shallow pool in the arboretum. Maques, one of the Cairn,
suspects that some buried traumatic memory, a "dark place" as he calls
it, is responsible. Maques acts as
a telepathic bridge, so Deanna can read her mother's mind, but she doesn't find
a definite clue. When she and Picard review Lwaxana's journal, they find that as
many as seven years have
been deleted. The reason is that Lwaxana's first daughter Kestra drowned in a
lake a long time ago when Deanna was still a baby and her husband Ian Andrew was
still alive. Feeling guilty about this tragical accident, Lwaxana deleted every evidence and suppressed any memory of Kestra.
We have seen telepaths of a similar kind as the Cairn before, namely the Ullians from the season 5 episode "Violations". Even the protruding brains (that have apparently grown too big for their skulls) of the two races are similar, which raises the question why the Ullians were not simply reused for this episode. Anyway, alien guests with such special abilities always cause trouble on TNG, and even though it is not intentional that Lwaxana Troi has a traumatic experience because of them, it fits the cliché. Fortunately the episode does not overemphasize the possibility that the Cairn may have a hidden agenda; it keeps up the depiction of Maques as a nice person (for some reason people with limited abilities to communicate verbally are always shown as sympathetic on TV in more recent years). It also quickly resolves the red herring when Maques suddenly sneaks into sickbay while Deanna is sleeping there, actually in a well-meant attempt to help her mother. Well, and for what it's worth it's not Deanna but her mother who has to suffer this time.
Overall, the story isn't very original, also considering that only one week after "Phantasms" we see someone of the crew walk around in someone else's mind again. The timing couldn't have been worse. At least "Dark Page" includes the psychological aspect that was missing in "Phantasms" (where everything was more or less a manifestation of what happened around Data's mind). And although the explanation given in the episode is that the metaconscious mind of Betazoids is responsible for Lwaxana's trouble, human psychology knows a similar phenomenon in the form of a suppressed memory. I like this aspect of the story, and it gives the mumbo-jumbo of someone talking with interactive figures in someone else's mind more weight than in the previous episode. Dr. Freud would like "Dark Page", rather than "Phantasms".
The whole episode is centered around Deanna and her mother and, on a positive note, goes without inappropriate comical elements. Maques, Picard and Beverly are the only other characters with significant lines, although their lack of interaction with Deanna feels a bit like the rest are letting her down. Especially Will Riker should have been involved to a greater extent in my opinion.
Just as in "Phantasms", I like how the telepathic sequences were filmed, with a wide-angle lens in this case, which makes them appear appropriately eerie.
Continuity: Data mentions his dream experiences and gives Deanna a hint that people in a dream may represent an aspect of the person who is dreaming (yet, without specifically referring to anything in "Phantasms"). -- In "Haven" Lwaxana Troi said that she had fired Mr. Homn's predecessor, Mr. Xelo. Mr. Homn, however, kept a photo of Kestra and Deanna with their father, which is only possibly if Mr. Homn preceded Mr. Xelo.
Remarkable dialogues: "Your mother told me of your need." - "Need?" - "A moment. Husband. You need a husband. I need a wife." (Maques and Deanna), "Commander! Take your hands off her." - "Mrs. Troi." - "Don't you Mrs. Troi me." (Lwaxana Troi and Riker)
47304.2: The Enterprise visits Kesprytt because the Kes, unlike their
neighbors on the planet, the Prytt, have applied for Federation membership. When
Picard and Beverly beam down, the transporter beam is redirected and they are
taken prisoners by the Prytt. They manage to escape with the help of a Kes
agent, but they discover that they are telepathically linked to each other, so
that Beverly learns that Picard was in love with to her when she was still
married to Jack Crusher. On the Enterprise the
Kes have installed a security office, and their behavior soon becomes as
paranoid as that of their sworn enemies. Riker finally tells them to leave, but
not before beaming up a representative of the Prytt to finally get them to talk.
He tells the Kes that the UFP will definitely turn down their application. After reaching
the Kes border, Picard and Beverly can finally be beamed up again.
This episode works with the characters in a way it wasn't done and perhaps wasn't possible in the first few seasons of the series. Dr. Crusher and Picard were separated from the rest of the crew in a similar fashion in "The Arsenal of Freedom" in the first season, but there was relatively little personal about what they were talking and doing. They shared some anecdotes and Beverly did everything to save the captain's life, something she would have done for anyone else. Even though it is achieved through a plot device that creates a telepathic link, it is good to see how their interaction in "Attached" is more profound and how the series and its characters have evolved. Still, I don't think the Picard/Beverly story makes a sufficient main plot (it is of equal importance as the Kes/Prytt conflict and has more screen time if I'm not mistaken). Although I always appreciate location shots, the two have have escaped from a prison on an alien world that doesn't look very alien, just like Kirk and Spock in various TOS episodes. I don't mind the obstacles that they encounter in the form of lava eruptions or steep hillslopes that feel a bit like in a jump-and-run game, and the necessity to stay close together to maintain the telepathic link (otherwise they would become nauseous) adds to that impression.
The revelation that Picard was once in love with Beverly doesn't surprise me a lot. It is rather surprising and also a bit disappointing that Picard and Beverly first make a big deal about it and then it doesn't play a role any more. This is anticlimactic in the context of the episode and perhaps a wasted chance to change something about the setting of the series ("All Good Things" will pick up the idea in a rather playful fashion). Well, a Troi/Worf relationship was already in the making at the time and establishing changes such as new relationships in the final season is not exactly bold (as we will see once again on DS9 and Voyager). Still, the mere confession that Picard was once in love with Beverly but they keep everything as it is is not really an interesting outcome. I also wonder why Picard and Beverly, in the seventh year of the series, still need the contrived exposition establishing their breakfast.
I freely admit that I like the plot thread about the Kes/Prytt conflict better, although it is overall too formulaic. It reminds me a bit of TOS: "Armageddon", where the leaders of the two countries wouldn't talk to one another either.
Many years after the first airing date of the episode it occurred to me that there is an even more obvious analogy in the real world: Cyprus. The country in the Mediterranean Sea is divided since 1974 when the Turkish military invaded the island and set up a separatist, internationally not recognized country in the northern part. The southern, Greek part of Cyprus applied for membership in the European Union. The EU requested that a referendum be held on the reunification of Cyprus. In the Greek part of Cyprus a majority voted against the reunification. Still, the EU accepted "Cyprus" (actually only the Greek part) as a member in 2004, thereby only deepening the rift that runs through the island and through Nicosia. Of course, the analogy is a mere coincidence. The makers of the TNG episode clearly couldn't predict the political development on Cyprus, although "Kesprytt" sounds a bit like "Cyprus". I was upset when Cyprus was accepted to the EU in 2004, especially considering that the people on the island renounced a historical chance that the Germans never had as long as the Cold War lasted. Had I been in charge of the approval of Cyprus, I would have acted just like Riker, citing that Cyprus is "a deeply troubled world with social, political, and military problems they have yet to resolve." Although someone may still overrule Riker, the Federation seems to stick to its principles, rather than the EU.
Nitpicking: Considering that Picard and Beverly make their way from the prison in the Prytt capital to the border by foot, the capital has to be rather small and can't be more than a couple of kilometers from the border, which isn't very plausible (well, unless we're talking about a similar situation as in the divided city of Nicosia). -- Why does Picard dispose of his jacket? He (or Beverly) could need it at night. -- The plan of the Kes to guide Beverly and Picard to the border doesn't make much sense. It was devised too quickly in the first place (they receive the tricorder with the plan after just a few hours in prison as it seems). And if the Kes have that many operatives (in the prison, plus allegedly a complete village of collaborators), why doesn't anyone accompany them? Riker rises a good point: "Forgive me, Ambassador, but is it wise to send two human fugitives in Starfleet uniforms into a Prytt village?" Even if the village is under control of the Kes, a lot could happen to them until they finally arrive there. -- So the Prytt could deflect the Enterprise's transporter beam, which is a clear sign of advanced technology. The Enterprise is not able to track where they materialized, but what happened to the sensors that are usually capable of identifying single individuals of a species on a planet? Sure, the Kes may jam the sensors, but it doesn't seem it is even attempted to use the sensors, and Data is discreetly absent in this crisis when Riker could need him.
Force of Nature Stardate
47310.2: The Enterprise is searching for the missing medical ship Fleming in
the Hekaras Corridor - the only safe route through an area filled with tetryon
particles. There the Enterprise runs into a disabled Ferengi ship that doesn't
respond to hails and opens fire. DaiMon Prak claims that his ship
has been immobilized by a Federation buoy. The Enterprise suffers from the same
effect only a few hours later. It turns out that Rabal
and Serova, brother and sister from Hekaras, want to prevent all ships from
engaging warp drive in the corridor, for they think warp drive causes cumulative
damage to the
fabric of space. Serova sacrifices herself by initiating a warp core breach on
her ship, which opens a subspace rift, thereby proving that their theory is correct.
The Fleming is now stuck within the rift, which the Enterprise enters by only
briefly activating the warp drive, in order to beam over the crew of the medical
Federation declares a general warp speed limit of Warp 5, to prevent further
damage until a solution to the problem is found.
Many TNG episodes contain barely disguised comments on real-world issues from drug addiction over terrorism to homophobia. Environmental protection, however, was not taken into account until the seventh season, which is astonishing, considering that the series was conceived in the 1980s. Well, the Enterprise saved a planet from the radiation from an old freighter in "Final Mission" and cleaned up the atmosphere of another planet in "A Matter of Time". But in these cases only single planets were concerned, whose inhabitants were not to blame, and so it was just about disaster relief; no discussion on if and how to protect the environment was necessary. We may assume anyway that waste disposal, water pollution and global warming are non-issues in the 24th century, and only external influences can lead to planetary pollution. But speaking of external influences, in TNG: "The Chase" it was even deemed more or less acceptable that Klingons wiped out all lifeforms on a planet (at least it didn't entail any consequences), with the convenient excuse that there was no intelligent life. In order to finally take care of present-day environmental topics in the series it was obviously deemed necessary to do it in the context on a still bigger than a planet-wide problem.
I like how the issue of the subspace damage is dealt with in "Force of Nature". It is something that concerns the Federation and ultimately all spacefaring civilizations, who will have to work together on it in some fashion. It is a problem caused by side effects of the warp drive, a technology of fundamental importance that was always used in good faith that it was harmless, which makes it especially hard to cope with for Geordi, the engineer, and for Picard, the explorer. It is a problem that should have been recognized sooner but that was not taken seriously, perhaps also because many in the Federation Science Council felt like Geordi and Picard and just didn't want to believe in what the Hekarans said. The episode was probably made without a particular real-world analogy in mind. But we can recognize several parallels to nuclear power and to global warming (the debate about which was in its initial stage when the episode was made and can't have served as a model).
Personally, as a fellow engineer, I can especially understand Geordi's regrets very well. He has been working with a technology all the time. He was convinced of it, and he thought he understood all of its aspects and could easily refute the concerns about possible side effects. It happens all the time in real-life engineering that we have to concede an approach was wrong. It is the harder to stop or redefine a project the later this realization comes, and many of us think of it as a personal defeat if we don't recognize possible problems in time. Regarding the Hekarans, however, I don't think that scientists, unlike activists (who are usually not so much into research), are that fanatic. It is true that many discoveries were made with ethically questionable methods, but the self-sacrifice in this episode takes the cliché one step too far, especially since it has only a brief melodramatic impact and makes way for the more pressing problem of the forming rift.
While the theme of the episode is definitely interesting, the course of the story isn't. Nothing of note happens in the first 15 minutes. They consist of nothing but mindless banter, as Data's main concern is cat education, while Geordi is preoccupied with the warp drive efficiency competition, in a sort of crude foreshadowing of the things to come. Even the small exchange of fire with the Ferengi ship comes across as rather casual. Then the two Hekarans show up and begin to annoy everyone aboard the Enterprise as well as in front of the TV screen. It is impious, but the story changes for the better after Serova's self-sacrifice, when it becomes clear that she was right after all and that there is not just an immediate but also a long-term problem with the damage to subspace.
Continuity: This episode has a lasting effect. The Warp 5 limit remains in place for some time, and is referred to again in "Pegasus" and "Eye of the Beholder".
Remarkable quote: "You know, Geordi, I spent the better part of my life exploring space. I've charted new worlds, I've met dozens of new species. And I believe that these were all valuable ends in themselves. Now it seems that all this while, I was helping to damage the thing that I hold most dear." (Picard)
Remarkable ship: The Hekaran ship is another reuse of the Talarian warship from TNG: "Suddenly Human".
47410.2: While the Enterprise is helping in reheating
the cooling magma core of Atrea IV, Juliana Tainer, married to one of the
participating scientists, introduces herself as Soong's ex-wife and, in a manner
of speaking, Data's mother. When
pressed, she tearfully admits that she was against Data's creation and wanted
him dismantled when they left, all because of fears he could become like evil Lore.
On Atrea IV her husband is injured in a plasma cave. When Data joins her there, the
instability forces them to jump from a cliff and her arm is severed, confirming
his guess that she is an android. When Soong's real wife died, he implanted her
memory into this new body which imitates the human functions much more perfectly
than Data, so that even Juliana herself has no idea that she is an android.
47391.2: After returning from a victorious bat'leth
competition, Worf notices that reality changes from one moment to another,
beginning with the color of his birthday cake. The changes become more severe,
and at some point he is not able to return fire during a Cardassian attack
because the console configuration suddenly becomes unfamiliar - causing Geordi's
death. Also, he is now married to Deanna and he is the ship's first officer
under Captain Riker. The only constant is that Geordi was always close to Worf
when he slipped into another reality. Data finds out that Worf's quantum flux is
out of sync with the rest of the universe, and the VISOR's subspace pulse
triggers his transition from one quantum universe to another. Wesley discovers a
subspace fissure where countless of these universes intersect and which widens
after an attack by the powerful Bajorans of this universe, so that thousands of
Enterprises from the different universes keep popping up. Finally the correct
Enterprise for Worf to return to is found, but as Worf is on his way, he is
attacked by an Enterprise that wants to prevent his return because in their
reality they are among the last survivors of a successful Borg attack. Captain
Riker orders to fire at them, and the weakened ship explodes. The rift is
finally sealed when Worf reaches his own universe, and he also travels back in
time just prior to his birthday surprise party - but the surprise is that there
is no party in his universe, but just a visit by Troi who has a present for him.
The Pegasus Stardate
47457.1: Admiral Erik Pressman leads the Enterprise on a mission to recover the
USS Pegasus which he and Riker, at that time one of his junior officers, had
to abandon years ago. He doesn't tell Picard the whole story, and he demands
that Riker be silent about the events on the Pegasus. Actually, Pressman was
testing a phase cloaking device, illegal according to the Treaty of Algeron, the
crew mutinied, and the few crew members loyal to their captain had to leave the
ship. When they discover traces of the ship, Pressman orders the Enterprise to
enter a narrow rift leading into the interior where they find the Pegasus,
partially submerged in the solid rock. Obviously the phase cloak suddenly
failed. Aboard the Pegasus Pressman and Riker are going to salvage the cloaking
device, but a Romulan warbird has sealed the entry to the asteroid, leaving the
Enterprise trapped. Riker reveals Pressman's secret, and the phase cloaking is
installed on the Enterprise, so that the ship can pass through the solid rock.
In open space Picard orders the cloak to be deactivated, because he wants to
make Pressman's violation of the treaty public.
47423.9: Nikolai Rozhenko, Worf's foster brother, has been living on the
primitive planet Boraal II for some time, where he played more than just a
cultural observer. When the planet's atmosphere is about to dissipate and the
rest of the crew is just watching how every living being dies, Nikolai has
created a duplicate of the caves on Boraal on the holodeck in order to save at
least some of the natives. Picard and Worf are outraged, but now they have to go
along with Nikolai's plan. One Boraalan, Vorin, accidentally steps out into the
Enterprise, and when he can't cope with this new
experience, he commits suicide. A new home for the people is found and the
Boraalans are transferred there. Nikolai stays with them.
Sub Rosa Stardate
47500.0: Following her grandmother Felisa Howard's
funeral on Caldos IV, Dr. Crusher finds diaries revealing that the old woman had
a young lover named Ronin. Ronin appears to have romanced her family's women for centuries. Ned
Quint, a friend of her grandmother, warns Beverly about Ronin, but after
some odd sensations of pleasure she is finally ready to resign from Starfleet.
When Ronin kills Ned, then disables Picard, Data and Geordi and finally
reanimates her grandmother's body, Beverly has to kill Ronin, who is actually an
This episode leaves the wrong impression that the writers may have forgotten that TNG is a science fiction series. Because "Sub Rosa" has little Star Trek in it but very much of a gothic novel. The idea about a secret in the Howard family isn't bad, it only should have been presented appropriately. But the episode just takes too much pleasure in exploiting all the common clichés about ghosts, mysterious buildings, haunted objects and frightening thunderstorms that should be totally anachronistic in the 24th century and already are today. Moreover, the story is gratuitously set on a planet that is modeled after old Scotland. All the small ingredients that were supposed to spice up the story only made me yawn. And as if all this were not yet enough, in the climax of bad taste Ronin resurrects Felisa Howard's body from her grave! Like in a cheap horror flick. This may be easily the most appalling scene in Star Trek's history so far.
Apparently in an attempt to throw in at least a little bit of science fiction, the writers incorporated well-known tropes, such as yet another series of malfunctions on the ship and yet another energy lifeform responsible for that (essentially the same as "Redjac" in TOS: "Wolf in the Fold"). However, the comparably quick revelation that everything is the work of an "anaphasic lifeform" is only the Trek-like technobabbling justification of something that would have gone unexplained, i.e. simply called a "ghost" in fantasy or mystery shows.
But most of all Beverly's weakness is frustrating in this episode because it is so out of character. Comparing this Beverly to the self-confident woman of earlier seasons or the courageous one that solved the case in TNG: "Suspicions", it is like we are dealing with two different individuals. And regardless of the alien influence on her that may excuse her unusual behavior, it does a disservice to Beverly's character. I think it is latent sexism that women in Star Trek, at least occasionally, are shown as if only the right guy needed to come along (preferably an alien or otherwise superhuman macho), and after a few days they would abandon their career and all of their principles. As Picard puts it, "Beverly is not that spontaneous", but this doesn't make it more plausible that it looks like she has made a conscious decision, that she is apparently willing to remain under Ronin's influence. Picard contributes at least a few redeeming qualities in the form of a good deal of common sense. Another interesting aspect is how openly Beverly and Deanna talk about the sexual part of her relationship with Ronin.
Nitpicking: Ronin says that already the first ancestor of Beverly he met 800 years ago was named Howard. So did all the women of Beverly's family in about thirty generations keep their last name? Extremely unlikely. Moreover, Beverly would have been the very first to break with this tradition.
Background information: The story of "Sub Rosa" was submitted by freelance writer Jeanna F. Gallo, later adapted by Jeri Taylor and developed to a screenplay by Brannon Braga. The similarities of "Sub Rosa" to The Witching Hour by Anne Rice are coincidental, and Jeanna F. Gallo is a real person, not a pseudonym for Anne Rice.
Lower Decks Stardate
47566.7: Four young Enterprise ensigns, Nurse Ogawa,
Taurik, Sito Jaxa and Sam Lavelle are expecting their promotions. It seems that Lavelle and
Sito are both up for the same job as ops relief. Sito, who was involved in the
accident in Wesley's squadron at Starfleet Academy, receives a severe lecture by
Picard and a strange lesson in self-defense by Worf, while Nurse Ogawa has to
deal with a Cardassian, and Ensign Taurik is to shoot at a shuttle with a
phaser. The reason is that Sito is going on an undercover mission where she is
to disguise as the Cardassian's prisoner, to infiltrate the Cardassian Union.
The mission fails, and the two are probably killed. Lavelle's promotion at this
cost leaves a bad feeling in him, but the friends and Worf keep bolstering and
comforting each other.
Thine Own Self Stardate
47611.2: When retrieving radioactive debris from a
downed probe on pre-industrial Barkon IV, Data loses his memory and unwittingly
spreads the fragments throughout a village. Data befriends a family and
especially their daughter Gia. But when the villagers are showing more and more
signs of radiation sickness, they put the blame on the strange looking man. They
finally lynch and bury him, but the Enterprise manages to locate and salvage
him. In the meantime, on the Enterprise, Deanna has passed her last exam for
promotion to commander, the subject of which was to be able to condemn one crew
member to death in order to save the ship.
47615.2: A comet discovered by the Enterprise is found
to be the archive of the ancient D'Arsay civilization. Soon parts of the
starship are being converted to artifacts of this culture. The program
also targets Data and makes him impersonate different iconic
characters. Eventually, Picard and the others deduce that
most feared character, and her pursuer, Korgano, share a cycle much like Earth's sun and moon. With time
running out and direct override impossible, Geordi finally locates the
archive's transformational program just in time for Picard to assume the
"mask" of Korgano and "chase" Masaka off her temple throne.
Once Masaka is subdued, both the ship and Data return to normal without the
whole society of characters that were once within him.
Eye of the Beholder Stardate
47622.1: The unexpected suicide by promising young Lt. Kwan in the
plasma stream of the warp coils is baffling to all those who
knew him. When Deanna visits the site for the first time, she is overwhelmed
and fear. It is found that while the Enterprise was being built at Utopia Planitia that an engineer named Walter Pierce
found his lover embracing another man and killed them both. The guilt he felt caused him to commit suicide by throwing his body into the
plasma stream. Being partially empathic Pierce's experience was imprinted into the bulkhead. When
Kwan found it he acted out that experience. Deanna Troi being empathic also
feels these experiences but is stopped in time.
47653.2: After Data and Picard return from retrieving a wayward demonstration
torpedo, they find the ship without control and the crew mutated to what seems
lower lifeforms. Deanna is an amphibious lifeform, Riker an Australopithecine.
While Picard is being chased by Worf, who has turned into a massive monster,
Data discovers that a synthetic T-cell which Dr. Crusher has given to Barclay to
fight a flu, has activated the crew's dormant introns. Barclay was turned into a
spider. Only the new-born kittens of Spot are immune while Spot herself is now
an iguana. With the help of Nurse Ogawa who is now a primate Data is able to
find a remedy to reverse the de-evolution.
Journey's End Stardate
47751.2: According to the peace treaty Picard is forced to remove Federation
settlers from colonies which are now in Cardassian territory. On of these
colonies is Dorvan V, where American
Indians have found a new home after they have escaped the cultural assimilation
on Earth. Wesley arrives, and he is surprised when the Indian Lakanta tells him
that he should find his own way. Wesley decides to resign from Starfleet.
Lakanta reveals himself to be the Traveler and takes Wesley on his journey. The
Indians decide to stay on Dorvala V, even under Cardassian supervision.
47779.4: When Alexander shows little interest in
warrior training, Worf takes him to a Klingon outpost's Kot'baval festival,
celebrating the battle between Kahless and the tyrant Molor. They are almost
killed by an assassin apparently from the Duras family. A strange man named
K'mtar shows up, who claims to be a friend of the family. When the Duras sisters
are confronted with the knife that was used to attack Worf and Alexander they
find the seal of B'etor's son, but B'etor only just learned
herself that she was pregnant. It turns out that K'mtar is Alexander from the
future who is going to avoid to become a pacifist diplomat who couldn't help his
father when he was assassinated in the Klingon High Council.
47829.1: DaiMon Bok blames Picard for his son's death
in the Battle of Maxia, and he threatens to kill Jason Vigo, Picard's possible
son. DNA tests prove that Jason Vigo, who has had a troubled life after
his mother's death, is Picard's son. Bok uses a subspace transporter to kidnap
Jason. In the meantime a genetic defect is brought to light that Jason can't have
inherited from either his mother or Picard. Actually, his DNA has been resequenced to
match Picard's. The captain uses the risky subspace transporter too, and once
again he reveals Bok's unprofitable intentions to his crew who relieve him of
47869.2: The holographic Orient Express gets out of control, when it runs
through Data's program of "The Tempest". Amazingly, Data and
Geordi find a network of
self-erected nodes cross-connecting ship's functions, much like a lifeform's
neural web. They discover that characters in the train program represent various
functions of the ship. The ship begins reproduction by creating a new lifeform
in a cargo bay, and all this is reflected in the train. When the new lifeform
needs more verteron particles and the natural sources are exhausted, Geordi
launches a photon torpedo into a nebula to generate them. The new lifeform
leaves the ship with unknown destination.
Preemptive Strike Stardate
47941.7: Newly promoted Lieutenant Ro Laren is asked
to infiltrate the Maquis which is an organization of Federation colonists who
fight the Cardassians. She soon gets the attention of the group and proves
herself trustworthy when she helps stealing medical supplies from the
Enterprise. Ro is subsequently torn between her loyalty to Picard who always
supported her and her new sympathy for the people and the cause of the Maquis.
When Ro is supposed to lure the Maquis into a trap, she defects.
All Good Things Stardate
47988: Picard finds himself slipping from one time to
another: the present - seven years in the past, when he first took command of the
Enterprise - and twenty-five years into the future, when his crew has scattered
or resigned from Starfleet. He thinks that his time travels may be connected to
an anomaly in the Neutral Zone, when suddenly Q appears and puts him on trial
like he did seven years ago. Q admits that he is responsible for the time travel
but claims that Picard was, is and will be responsible for the death of all
humanity. He then takes Picard to primordial Earth where amino acids are supposed
to combine, but they don't do that because of an anomaly visible in the sky that
Picard is supposed to have caused. The captain and his various crews can't figure
out what this anomaly, which is larger in the past, is about, until Picard gets
the idea that it's an effect of anti-time. Picard will create the anomaly by
scanning the same region of space with an inverse tachyon beam in three
different times, and this will cause an anomaly to grow backward in time. When
finally the damage is repaired in the course of which all three Enterprises have
been (temporarily) destroyed, Picard is back in his normal time, and he takes
the opportunity to join his senior crew's weekly poker game for the first time.